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whichswan.livejournal.com) wrote in
paradisalost2011-06-05 09:15 am
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Entry tags:
no thinking for a little while
Who: Nina Sayers and EVERYONE (I'll fix the tags as people come in)
What: a ballet recital
When: June 5
Where: the Ballroom
Rating: PG for now
The ballroom has been transformed into a theater of sorts, the walls and floors pitch black as well as the chairs spreading in meticulous rows from the stage. Black curtains hang heavily from the ceiling while strobe lights burn a feathered white circle onto the stage.
A program has been placed on each seat:
♔ Variations ♔
Swan Lake, Act II, Odette
The Sylphide, Act II, Sylphide
Giselle, Act I, Giselle
In honor of Angel
The lights dim before the show begins.
Nina steps onto the spotlight in a white swan costume to begin her Odette variation with all the technical mastery required for the part, tragedy written in the curve of her swan wings. She is close enough to perfect; beautiful and fragile. She steps offstage to return as the Sylphide, the untouchable woman of airy delight, who withers and dies when love, unknowingly, binds her to the material world. Chastity becomes her, becoming almost barren in her interpretation.
Lastly she becomes Giselle, the peasant girl who dances like satin and cream. Graceful yet childlike, she is oblivious to all but her lover, the apple of her eye.
Nina gestures for the audience to stay for one last encore before exiting the stage.
What: a ballet recital
When: June 5
Where: the Ballroom
Rating: PG for now
The ballroom has been transformed into a theater of sorts, the walls and floors pitch black as well as the chairs spreading in meticulous rows from the stage. Black curtains hang heavily from the ceiling while strobe lights burn a feathered white circle onto the stage.
A program has been placed on each seat:
Swan Lake, Act II, Odette
The Sylphide, Act II, Sylphide
Giselle, Act I, Giselle
In honor of Angel
The lights dim before the show begins.
Nina steps onto the spotlight in a white swan costume to begin her Odette variation with all the technical mastery required for the part, tragedy written in the curve of her swan wings. She is close enough to perfect; beautiful and fragile. She steps offstage to return as the Sylphide, the untouchable woman of airy delight, who withers and dies when love, unknowingly, binds her to the material world. Chastity becomes her, becoming almost barren in her interpretation.
Lastly she becomes Giselle, the peasant girl who dances like satin and cream. Graceful yet childlike, she is oblivious to all but her lover, the apple of her eye.
Nina gestures for the audience to stay for one last encore before exiting the stage.
no subject